Xieyi and the Concept of "Shu Hua Tong Yuan"
|
The phrase "Shu Hua Tong Yuan" (書畫同源), meaning "calligraphy and painting share the same source," is a foundational concept in Chinese art and deeply relevant to Xieyi. It highlights the shared tools, techniques, and aesthetic principles between calligraphy and painting, emphasizing their interconnectedness. The same tools and skills are shared across both disciplines.  The emphasis on calligraphic brushwork in Xieyi is a direct result of this principle. The artist uses the same techniques of line drawing, pressure variation, and ink control that are used in writing Chinese characters. The calligraphic nature of the brushstrokes becomes the defining characteristic of the Xieyi technique.  Both disciplines share the same appreciation for spontaneity, rhythm, and the expressive potential of line. Both aim to convey the inner spirit of a subject, expressing the artist's intentions and creative ideas through the language of brush and ink. They are both about inner expression and emotional communication.  The ideal of the literati artist, one who is skilled in both calligraphy and painting, reflects this unity between the two art forms. They were not considered two separate disciplines, but two sides of the same coin. The literati artists excelled in both areas and considered them to be intertwined. Understanding "Shu Hua Tong Yuan" is essential to appreciating the unique qualities of Xieyi, seeing the brushwork as something more than merely a method of applying pigment to paper. The brushwork carries its own weight of meaning and expression. It is the cornerstone of the technique. |
Tag : calligraphy source, brushwork origins, art interconnectedness, shared principles
Related information
- The Symbolism of Xieyi: Expressing Inner Worlds
- Xieyi Painting and the Use of "Boneless Technique" ( Mògǔ)
- Xieyi Painting and the Concept of "Yun Wei"
- The Use of "Broken Ink" in Xieyi
- The Concept of "Yi Bi Cheng Qiao" in Xieyi
This article explores the symbolic elements within Xieyi painting, focusing on how subjects, composition, and brushwork contribute to the expression of the artist's inner world and cultural values.
The "Boneless Technique" (mògǔ) in Xieyi relies on the absence of outlines, instead using washes of ink and color to create form and texture, resulting in fluid, organic works that require skill in blending and layering, as well as spatial awareness.
Yun Wei (charm, flavor, aftertaste) is a vital aesthetic quality in Xieyi painting, referring to the overall sense of feeling, emotion, and lingering impression that an artwork creates in the viewer, achieved through mastery of technique, subtle nuances, and the ability to express underlying meanings, creating a lasting impact.
"Broken Ink" (pòmò) is a key technique in Xieyi painting, involving layering wet ink to create rich and varied tones, depth, atmosphere, and a sense of spontaneity, reflecting a controlled approach to the unpredictable nature of ink and water, adding visual texture and depth.
"Yi Bi Cheng Qiao" (skill achieved in one brushstroke) is a key concept in Xieyi, emphasizing precision, confidence, and spontaneity in each brushstroke, aiming for efficiency, expressiveness, and a seemingly effortless display of skill, acquired through dedicated training and a deep connection with the art form.