|
"Baimiao" (白描), often translated as "plain drawing" or "outline drawing," is a foundational technique in Chinese painting, characterized by the use of simple, unadorned lines to depict the contours and forms of a subject. While seemingly different from the expressive washes of Xieyi, Baimiao plays a crucial role in shaping its underlying structure and approach to form. It is a foundational technique that often informs the artist’s style. ![]() Baimiao emphasizes the precision and control of the brush, requiring a mastery of line drawing to accurately represent the shape and essential structure of a subject. It’s not about capturing every detail but about capturing the essential lines of the form. The training in Baimiao often shapes the overall style of the artist. ![]() While Xieyi often uses washes and spontaneous strokes, the underlying understanding of form that is developed through Baimiao is essential for creating effective compositions. Even when the lines are less prominent in the finished work, they inform the way that the painting is structured. It provides a blueprint for the final form. ![]() Many Xieyi artists incorporate elements of Baimiao into their work, using simple outlines to define certain elements or as a starting point for more expressive brushstrokes. The Baimiao lines can often be seen in the initial stages of the art process, or they can be strategically placed within the finished work. It serves as the foundation for creative development. The discipline and precision required in Baimiao contribute to the overall control and confidence that are evident in skilled Xieyi paintings. The practice of Baimiao also helps to refine the artist’s eye and hone their ability to capture essential forms. It is a technique that builds a foundation for future expressivity. |
Tag : Baimiao, plain drawing, Chinese outline, Xieyi form, foundational technique
"Shu Xing" (calligraphic nature) is a core concept in Xieyi painting, emphasizing how the principles and techniques of calligraphy influence its brushwork, structure, and expressive qualities, reflecting the shared tools, values, and emphasis on balance, rhythm, and a sense of life force.
"Yi Qian Bi Hou" (intention before the brush) is central to Xieyi, emphasizing the importance of having a clear vision and intention before painting, so that brushstrokes naturally express the artist's inner feelings and ideas, requiring thoughtful preparation, and guiding brushwork with creativity and personal vision.
"Intention Before the Brush" (yi zai bi xian) is crucial in Xieyi painting, emphasizing that the artist's vision, emotional state, and purpose should guide their brushstrokes, requiring thoughtful preparation and planning while valuing spontaneity, imbuing the artwork with inner spirit and emotional truth.
Calligraphy forms the foundation of Xieyi painting, sharing similar brushwork techniques and aesthetic principles. The concept of "bone strength" and the integration of poetry, calligraphy, and painting are central to understanding the connection between these two forms.
"Broken Ink" (pòmò) is a key technique in Xieyi painting, involving layering wet ink to create rich and varied tones, depth, atmosphere, and a sense of spontaneity, reflecting a controlled approach to the unpredictable nature of ink and water, adding visual texture and depth.