Xieyi Painting and the Concept of "Yi Qian Bi Hou"
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"Yi Qian Bi Hou" (意前筆後), often translated as "intention before the brush," is a concept central to Xieyi painting, emphasizing that the artist should have a clear vision and intention before beginning a painting, so that the brushstrokes become a natural manifestation of this underlying vision. It is a principle that emphasizes the planning that takes place before the actual execution of the artwork. The underlying concept is always more important than its manifestation.  This concept means that the artist should not just be copying what they see but also expressing their own unique interpretation, feelings, and ideas about their subject. It goes beyond simple representation and it emphasizes the inner life of the artist. The artist's inner state is an essential element of the finished artwork.  "Intention before the brush" highlights the importance of thoughtful planning and preparation, so that the artist has a strong foundation before they begin applying brushstrokes to the paper. The underlying structure is essential for the overall success of the work. It is a balance between planning and spontaneity.  This concept emphasizes that the artist’s creative spirit should guide the brush, rather than being dictated by technical considerations alone. Technique should be used to express the creative intention of the artist, and that creativity must come from within. The technical skills are merely a tool to achieve a higher goal. Ultimately, the principle of "Yi Qian Bi Hou" underscores the belief that true art comes from the heart and mind, and that technique should always serve the artist’s inner vision. It is an expression of their unique and personal view of the world. The art should be a reflection of their inner creative voice. |
Tag : intention first, planning in art, Xieyi concept, creative vision
Related information
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- Xieyi Painting and the Use of "Splash Ink"
- Learning Xieyi Painting: A Path of Practice
- The Concept of "Shu Qie" in Xieyi
- Ink Wash Techniques in Xieyi: Shades of Meaning
Taoism, with its emphasis on living in harmony with nature, has significantly influenced the development of Xieyi painting. The Taoist concept of the Tao (道), the underlying principle of the universe, is reflected in the ways that Xieyi artists capture the flow of life.
"Splash Ink" (pōmò) is a bold and expressive Xieyi technique, involving the free and spontaneous application of ink to create large washes and evoke movement and dynamism, emphasizing the unpredictable nature of ink and water and strategically used to create balance, depth, and vitality.
Learning Xieyi painting involves mastering basic brushstrokes, observation of nature, studying old masters, developing a personal style, and cultivating patience and persistence. It is a process that blends technical skill with personal growth and understanding.
"Shu Qie" (the written and the carved) emphasizes the connection between calligraphy and seal carving, influencing Xieyi through shared qualities of line, form, expression, and the use of seals, all of which combine to highlight the holistic nature of Chinese art, and inform the artistic process.
Ink wash, or shuimo (水墨), is a fundamental technique in Xieyi painting. It involves the skillful application of various shades of ink, diluted with water, to create depth, texture, and atmosphere. Mastery of ink wash is critical for achieving the desired expressive effects.