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While Famille Verte enamels are most closely associated with the later Qing Dynasty, the seeds of this technique can be seen in some late Ming Dynasty ceramics. Ming potters experimented with green, yellow, and aubergine overglaze enamels, exploring different combinations and application methods, which paved the way for the later development of the full Famille Verte palette. The pieces that were created during this time show the development of colour techniques and their experimentation with layering different glazes and paints. Early examples of Ming ceramics featuring green and yellow enamels, often in combination with underglaze blue, demonstrate the experimentation with new color combinations that would lead to new styles and methods of pottery production. Ming potters also began to explore the use of white enamel as a background for other colors, which was a key element of the later Famille Verte style. These early uses of overglaze enamels helped to define the palette and techniques that were later refined in the Qing Dynasty. The technical and artistic experiments of Tang potters led to new forms of beauty that were developed over subsequent generations. The experimentation with new enamel combinations reflects the dynamic and innovative nature of Ming Dynasty ceramic production. |
Tag : Ming Famille Verte, Chinese enamels, early techniques, overglaze pottery, color exploration
While iron oxide was key to other colours, the use of "iron rust" glaze, which is characterized by its dark brown or reddish-brown tone with subtle flecks and variations in texture, added a different type of visual texture to Ming Dynasty ceramics. Pieces with this type of glaze demonstrate the skill of Tang potters and their exploration of different colours and effects.
While the Ming Dynasty saw the flourishing of Chinese tea culture, some late Ming ceramics, particularly those intended for export to Japan, were subtly influenced by the aesthetics of the Japanese tea ceremony (chanoyu). This influence highlights the cross-cultural exchange that occurred through trade and artistic interaction.
Ming Dynasty ceramics are highly valued by collectors and museums for their historical significance, artistic beauty, and technical mastery, requiring detailed knowledge for informed collecting and continued appreciation in the modern world.
While the imperial kilns at Jingdezhen were dominant, regional kilns throughout China continued to produce ceramics during the Ming Dynasty, often incorporating local styles and traditions into their designs. These pieces highlight the influence of regional preferences on the development of pottery during this period.
While we’ve addressed innovation before, it is useful to conclude by focusing on the enduring legacy of specific technical innovations of Ming potters. The techniques they developed, refined and combined continue to influence potters around the world today, and highlight the continued relevance of Ming era styles and production methods.