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While we've discussed the literati, it's important to look at how their taste was specifically reflected in Ming ceramics. The refined tastes of the literati, the scholarly and artistic elite of the Ming Dynasty, continued to influence the development of certain types of ceramics, particularly those that emphasized elegance, simplicity, and a connection to nature. The preferences of the educated classes were often reflected in the design elements that were chosen by potters at this time. The literati preference for understated beauty and natural forms can be seen in some Ming monochromes, porcelains, and those that featured simple designs that are reminiscent of classical painting and poetry. The subtle and restrained decorative elements that were often found on pieces from this era were an important element of the overall aesthetic appeal of these types of pieces. The emphasis on craftsmanship, intellectual engagement, and artistic skill that was central to literati culture also influenced the way that pottery was valued and appreciated during this time. The influence of literati taste on Ming ceramics highlights the complex interplay of art, culture, and intellectual values during the Ming Dynasty and its lasting legacy. |
Tag : Ming literati taste, Chinese scholarly art, refined pottery, simple forms, elegant designs
Beyond plays, it's worth exploring the influence of Ming Dynasty novels on the ceramics. The rise of popular novels during the Ming Dynasty had a subtle but noticeable influence on the types of scenes, characters, and stories that were sometimes depicted on ceramic pieces. The novels of the era were a major element of Chinese culture and their influence is apparent in many of the artistic forms that were popular at this time.
The Yongle Emperor (r. 1402-1424) was a significant patron of the arts, and his reign saw a flourishing of ceramic production, particularly at the imperial kilns in Jingdezhen. The emperor’s patronage was vital to the growth and development of the pottery industry at this time.
While blue and white dominated, the Ming Dynasty also saw the development and refinement of "five-color" wares (wucai), which employed a range of vibrant overglaze enamels, including red, green, yellow, and aubergine, often used in combination with underglaze blue. These pieces demonstrate a more colourful and decorative style of pottery production that became increasingly popular during this period.
Early Ming blue and white porcelain (1368-1521) established the foundation for later ceramic innovation, showcasing refined cobalt underglaze techniques, bold designs, and diverse natural and symbolic motifs.
While we’ve addressed Jingdezhen before, it is useful to revisit its significance as a global center during the Ming Dynasty. The kilns of Jingdezhen, as the most important site for ceramic production at this time, not only supplied pottery for domestic markets, but also for international trade as well, and its influence was felt throughout Asia, the Middle East, and Europe, and it remains the heart of Chinese pottery production even today.