Blackwares of the Song Dynasty: Jian and Beyond
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While celadon and white porcelains are often highlighted, the blackwares of the Song Dynasty also hold an important place in the ceramic tradition. These dark-glazed ceramics, often produced at kilns like Jian and Jizhou, demonstrate the range and creativity of the Song potters. Blackwares demonstrate the range of glaze techniques used in the period.  Jian ware, produced in Fujian province, is particularly famous for its “hare’s fur” and “oil spot” glazes. These effects were created by the iron content of the glaze and the precise firing conditions. These techniques showcase the potters’ mastery of materials. Jian ware tea bowls are highly prized for their beauty.  Jizhou ware, also produced during the Song Dynasty, is known for its decorative techniques, which included paper-cut stencils, leaf imprints, and painted designs. Jizhou pieces often have a folk art quality to them. Jizhou represents a more rustic quality than some of the other wares of the era.  The forms of blackwares are often simple and functional, including bowls, tea bowls, and bottles. The focus was on highlighting the beauty of the glaze and its texture. The forms are simple and understated, allowing for the beauty of the glazes to stand out. The blackwares of the Song Dynasty demonstrate the diversity and experimentation that characterized this era of ceramic production. They stand in contrast to the more elegant white wares, but are still an important part of the story of Song ceramics. Black wares have their own unique artistic aesthetic. |
Tag : Song blackware, Jian ware, Jizhou ware, Chinese ceramics, Hare’s fur glaze
Related information
- The Refinement of Song Ceramics: An Introduction
- The Role of the Kilns in Song Ceramic Innovation
- The Simplicity and Elegance of Song Celadons
- Jun Ware: The Art of Transmutation
- The Beauty of Celadon: Longquan and Beyond
Song Dynasty ceramics (960-1279) represent a golden age of Chinese pottery, marked by refined techniques, elegant forms, and a focus on monochrome glazes like celadon, showcasing subtle beauty and technical mastery.
Song Dynasty kilns, such as those in Longquan, Ding, Jun, and Jian, were centers of experimentation and artistic innovation, advancing kiln technology, glaze effects, and the training of potters, leading to a diversity of high-quality ceramic styles.
The Song Dynasty is often regarded as the golden age of Chinese ceramics, and Song celadon stands as a pinnacle of ceramic artistry. Characterized by its subtle green hues, ranging from pale jade to deep olive, Song celadon is celebrated for its elegant forms, smooth glazes, and understated decoration. Unlike the vibrant, multi-colored wares of the preceding Tang Dynasty, Song celadons embraced simplicity and a harmonious balance between form and glaze. The focus shifted to the intrinsic beauty of the material and the nuanced shades achieved through masterful kiln firing.
Jun ware, a distinctive Song Dynasty ceramic style, is known for its thick, opalescent glazes in a range of colors, achieved through carefully controlled firing processes, often exhibiting dramatic and unpredictable visual effects.
Celadon, a jade-like green glazed ceramic, is a hallmark of Song Dynasty pottery, especially Longquan celadon, known for its pure color, smooth texture, and elegant forms, and also includes distinctive styles like that of Yaozhou.