Blackwares of the Song Dynasty: Jian and Beyond
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While celadon and white porcelains are often highlighted, the blackwares of the Song Dynasty also hold an important place in the ceramic tradition. These dark-glazed ceramics, often produced at kilns like Jian and Jizhou, demonstrate the range and creativity of the Song potters. Blackwares demonstrate the range of glaze techniques used in the period.  Jian ware, produced in Fujian province, is particularly famous for its “hare’s fur” and “oil spot” glazes. These effects were created by the iron content of the glaze and the precise firing conditions. These techniques showcase the potters’ mastery of materials. Jian ware tea bowls are highly prized for their beauty.  Jizhou ware, also produced during the Song Dynasty, is known for its decorative techniques, which included paper-cut stencils, leaf imprints, and painted designs. Jizhou pieces often have a folk art quality to them. Jizhou represents a more rustic quality than some of the other wares of the era.  The forms of blackwares are often simple and functional, including bowls, tea bowls, and bottles. The focus was on highlighting the beauty of the glaze and its texture. The forms are simple and understated, allowing for the beauty of the glazes to stand out. The blackwares of the Song Dynasty demonstrate the diversity and experimentation that characterized this era of ceramic production. They stand in contrast to the more elegant white wares, but are still an important part of the story of Song ceramics. Black wares have their own unique artistic aesthetic. |
Tag : Song blackware, Jian ware, Jizhou ware, Chinese ceramics, Hare’s fur glaze
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Song Dynasty kilns, such as those in Longquan, Ding, Jun, and Jian, were centers of experimentation and artistic innovation, advancing kiln technology, glaze effects, and the training of potters, leading to a diversity of high-quality ceramic styles.
Jian ware tea bowls, produced in the kilns of Jianyang (modern-day Fujian province), are among the most revered ceramics of the Song Dynasty. Characterized by their dark, often black, glazes, often displaying a unique hare's fur or oil spot effect, Jian ware tea bowls were particularly prized by Zen Buddhist monks and tea connoisseurs for their aesthetic and functional qualities. The dark hues and varied patterning made them ideal for showcasing the light colour of the tea itself.
The Song Dynasty saw the flourishing of tea culture, and ceramics played a central role in the rituals and practices surrounding tea consumption. Specific types of tea bowls, teapots, and other tea wares were developed to enhance the tea-drinking experience. The ritualistic elements of tea consumption made the ceramic pieces important elements of daily life in the Song period.
Guan ware, rare imperial ceramics of the Southern Song, are characterized by thick, crackled glazes in shades of gray, blue, or green, understated forms, and an enduring sense of mystery surrounding their production and kilns.
The forms, glazes, and decorative motifs of Song Dynasty ceramics often reflect a deep appreciation for nature, with potters drawing inspiration from the natural world. The incorporation of natural elements is a clear indicator of the importance of nature in Tang artistic thought.