The Use of "Broken Ink" in Xieyi
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"Broken Ink" (pòmò 破墨) is a technique in Xieyi painting that involves applying multiple layers of ink on top of each other, often while the previous layers are still wet. This method allows the colors to blend and interact in a spontaneous and unpredictable way, creating rich, varied tones and textures. The layers add an element of complexity and depth.  The layers are not applied randomly; artists aim for a sense of control and intentionality, carefully considering how the different layers of ink will interact with one another. The effects created by broken ink are intended, and the result of a conscious decision. This planned layering is part of the skill of Xieyi.  The use of "broken ink" creates a sense of depth and atmosphere, making it especially effective for depicting landscapes and natural scenes. It creates a natural and organic feeling that is highly valued in Xieyi painting. It recreates the complexity and depth found in nature.  This technique also allows the artist to embrace spontaneity, the unpredictable nature of the interaction of ink and water adding a dynamic element to the artwork. There is a deliberate effort to make the most of the organic spread of ink. It is this spontaneity that is a hallmark of the Xieyi technique. The careful and intentional application of "broken ink" creates a visual richness and texture that is difficult to achieve with other methods. This gives the paintings a complexity that adds to their visual interest. It is a unique expression of the relationship between ink and water. |
Tag : Broken ink technique, Pomo, layering in art, Xieyi texture, ink wash layering
Related information
- The Use of Ink and Water in Xieyi Technique
- The Role of the Inkstone in Xieyi
- Xieyi Figures: Capturing the Essence of Humanity
- Xieyi Painting and the Concept of "Qi Yun"
- Xieyi Painting and the Use of "Leaving the Brush"
The control of ink and water is fundamental to Xieyi painting, allowing for a vast range of tonal values, textures, and expressive effects. Understanding how these elements interact is essential to mastering the techniques.
The inkstone (yàn) is a vital part of Xieyi painting, influencing the quality and texture of ink, and serving as an object of both practical use and beauty, representing a key part of the ritual of painting and connecting the artist to tradition.
While less common than landscapes and flowers/birds, figure painting (人物画, renwuhua) also has a place within the Xieyi tradition. These works often focus on capturing the character and spirit of the individual rather than simply portraying a likeness. The focus is on expression and inner qualities.
Qi yun (spirit resonance) is a central aesthetic principle in Xieyi painting, referring to the overall sense of energy, movement, and vitality that emanates from the artwork, achieved through the artist's connection with their subject, spontaneity, and inner energy, and sensed by the viewer.
"Leaving the Brush" (cángfēng) in Xieyi involves concealing the brush tip when beginning and ending a stroke, creating lines with a subtle beginning and end, conveying inner strength, control, and intentionality, contrasting with the technique of "revealing the brush," and demonstrating the mastery of brush control.