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"Qing" (情), often translated as "feeling," "emotion," or "inner sentiment," is a fundamental concept in Xieyi painting, referring to the artist's ability to imbue their works with a sense of personal feeling, emotion, and genuine expression. It’s not just about depicting a scene, it’s about conveying the feelings that it evokes within the artist. The feeling that drives the artistic process is what makes the art form so powerful and moving. ![]() The pursuit of qing requires the artist to connect with their own inner emotions, to observe the world with sensitivity, and to express their feelings through the language of ink and brush. The goal is to reach a point of deep understanding of the human condition and to communicate that through the medium of painting. The artist must be in alignment with their creative intent. ![]() The feeling within an artwork should be genuine and authentic, reflecting the artist's true state of mind, rather than simply trying to create something beautiful or technically proficient. It must come from the heart and soul of the artist, and not simply from their conscious intellect. The art should feel real and emotionally powerful to the viewer. ![]() The ability to convey emotion through brushstrokes, ink washes, and the overall composition of the work is a mark of a skilled Xieyi painter, capable of touching the hearts and minds of viewers. The way that the ink is applied, and the strategic choices of line work create an emotional impact on the viewer. It has the power to resonate with and inspire a powerful emotional response. Ultimately, qing reflects the belief that art should be a means of personal expression, a way for artists to share their inner world, connect with others, and explore the universal emotions that unite us all. It speaks to the underlying human experience, and is able to touch the heart of the observer. It is a powerful means of connection and shared understanding. |
Tag : Qing, feeling in art, emotional painting, expressive art, Xieyi sentiment
The roots of Xieyi painting can be traced back to the Song Dynasty (960-1279), when scholar-officials began to develop a distinctive style of painting that reflected their unique values and aesthetics. The emphasis shifted from courtly patronage to individual expression, setting the stage for the emergence of Xieyi.
The "Four Gentlemen" (sìjūnzǐ) – plum blossom, orchid, bamboo, and chrysanthemum – are highly revered subjects in Xieyi, each embodying distinct virtues like resilience, refinement, integrity, and longevity, serving as a rich source of inspiration for artists expressing a range of emotions and philosophical ideas.
"Contrasting Ink" (nóngdànmò) in Xieyi uses both dark and light ink strategically to create depth, volume, texture, and atmosphere through visual contrast, with dark ink creating boldness and light ink adding distance and subtlety, requiring skilled blending to create tonal gradations, expressive depth, and nuanced interplay of light and shadow.
Liúbái (blank space) is a vital element in Xieyi painting, creating balance, depth, atmosphere, and encouraging active viewer participation while reflecting philosophical concepts of emptiness and possibility. It's as important as the inked areas.
Color in Xieyi painting is used subtly and suggestively, often in light washes to create luminous effects, enhance meaning, evoke emotion, and accent specific areas of a composition, with colors often carrying symbolic connotations and adding depth to the artwork.