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While we touched on Lapis, let’s examine how it impacted blue applications on Ming ceramics. The desire to emulate the rich blue of Lapis Lazuli prompted Ming potters to push the boundaries of cobalt underglaze techniques, and to explore new methods of applying their blue glazes to achieve a depth and visual power that was similar to the natural gem. Ming potters achieved a depth of colour and intensity through multiple layers of cobalt and careful firing conditions, often attempting to create a unique depth of colour that was similar to that of Lapis Lazuli. The complex processes involved in the application of the cobalt glaze, demonstrated a high level of technical skill and creative vision on the part of Tang artisans, and the use of these colours meant that potters were able to create pieces of great visual beauty and depth. The influence of lapis lazuli can be seen in the rich, velvety textures of the blue in some pieces, where an attempt was often made to create both the colour and the visual texture of the mineral itself. The exploration of lapis-inspired blue tones in Ming ceramics demonstrates the continuing pursuit of new visual effects and artistic styles. |
Tag : Ming lapis blue, Chinese pottery, ancient techniques, cobalt glaze, deep color
The Xuande reign (1426-1435) is celebrated for its exceptional blue and white porcelain, characterized by refined cobalt blue glazes, intricate designs, and a peak of technical and artistic sophistication in Ming ceramic production.
While we've touched on the Chenghua period, a deeper examination is warranted. The Chenghua era (1465-1487) within the Ming Dynasty is often considered a high point for ceramic production, particularly for its delicate "doucai" wares. The pieces from this era are particularly valued by collectors and museums around the world due to their unique artistic and technical characteristics.
While Famille Rose is most strongly linked to the Qing Dynasty, some late Ming ceramics began to show elements that foreshadowed this style, with potters experimenting with pink and rose enamels. These pieces are important for understanding the development of enamel techniques during this period and the transition from one dynasty’s styles to the next.
While Buddhism was a major influence, it's worth specifically looking at how other religious imagery appeared in Ming ceramics. Beyond Buddhist symbols, Ming Dynasty ceramics sometimes featured motifs and figures from Daoism, Confucianism, and even popular folk religions, showcasing the complex religious landscape of the time, and the ways that different traditions were often integrated into common and everyday styles and practices.
While we’ve touched on yellow, it’s useful to explore the technical aspects of creating high-quality yellow enamels on Ming Dynasty ceramics. The vibrant and consistent yellow glazes that were a hallmark of some Ming ceramics often required a specific combination of lead oxides, iron oxides, and other materials.