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While touched on before, it's worthwhile to revisit the specific legacy of the Wanli period (1572-1620) in Ming ceramic production. The long reign of the Wanli Emperor, while sometimes seen as a period of decline in other areas, also saw the development of new styles and techniques in ceramics, which had a lasting impact on later pottery production, and the pieces that were created during this time are an important element of the overall history of Chinese pottery production. Wanli-era ceramics, despite criticisms, demonstrate the technical skill and innovation of Ming potters, and the pieces produced at this time demonstrate the artistic skill and versatility that were present in the pottery workshops throughout the Ming empire. The influence of Wanli-era designs can be seen in the styles and decorative techniques of later Qing Dynasty ceramics, and the impact of Wanli styles and techniques would have a long lasting impact on pottery production in subsequent generations. The large scale of production and the widespread distribution of Wanli ceramics throughout China and around the world helped to shape the global appreciation for Chinese porcelain. The scale and global reach of pottery produced during this period also demonstrates the growing importance of international trade at this time. The legacy of the Wanli period highlights both the continuity and change in Ming ceramic traditions. |
Tag : Ming Wanli legacy, Chinese pottery, late Ming style, ancient designs, ceramic influence
We've touched on coral red, but it's worthwhile to delve into the specific technical details of how Ming potters achieved this particular hue. The creation of a rich, vibrant coral red glaze required very precise and complex control of firing conditions, pigment composition and the application of glazes.
While Buddhism was a major influence, Daoist symbolism also appeared on some Ming Dynasty ceramics, reflecting the influence of this ancient Chinese philosophy on daily life. The Daoist symbols that appear on these pieces are an important aspect of the overall visual language that was being used during this time.
The later Ming Dynasty (1522-1644) saw significant diversity in ceramic production, with new colors, glazes, and techniques introduced, alongside a thriving export trade and varied decorative styles reflecting changing tastes.
The Xuande reign (1426-1435) is celebrated for its exceptional blue and white porcelain, characterized by refined cobalt blue glazes, intricate designs, and a peak of technical and artistic sophistication in Ming ceramic production.
While the imperial kilns at Jingdezhen were dominant, regional kilns throughout China continued to produce ceramics during the Ming Dynasty, often incorporating local styles and traditions into their designs. These pieces highlight the influence of regional preferences on the development of pottery during this period.