|
"Shufu" wares, produced in Jingdezhen during the Yuan Dynasty, are known for their delicate white porcelain, often with subtle underglaze decorations in a pale blue or creamy white. These pieces were often made for the Imperial court or for other high-ranking officials and scholars and they demonstrate the continued importance of high quality white porcelain. ![]() The name "Shufu" (樞府) refers to the Privy Council, highlighting the connection of these pieces to the Yuan court, and this connection between pottery production and government patronage demonstrates the importance of the imperial court during the Yuan era. ![]() "Shufu" wares were often decorated with subtle underglaze patterns, such as floral motifs or auspicious symbols, which were created using fine brushwork and carefully selected materials. These pieces are prized both for the quality of the clay that was used and also for their beauty and the artistry of the designs. ![]() The smooth, translucent glaze on Shufu wares enhances the delicate texture and pure white color of the porcelain, creating a sense of refinement and sophistication. The delicacy of the glaze was designed to emphasize the overall beauty of the piece. "Shufu" wares represent an important and distinct style of Yuan Dynasty porcelain, reflecting the refined tastes of the Yuan elite. These pieces are important elements of the overall study of pottery production at the time, and are a testament to the skill and dedication of Tang artisans. |
Tag : Yuan Shufu ware, Chinese white porcelain, Jingdezhen pottery, subtle decoration, porcelain history
The influence of Islamic art, particularly that of Persia, can be seen in some aspects of Yuan Dynasty ceramics, especially in the decorative motifs and use of certain colors, and the contact between different cultures via trade routes at this time is a key element in the overall design and appearance of some Yuan period ceramics.
This article explores the symbolism and cultural meanings behind the decorative motifs found on Yuan Dynasty porcelain, such as floral, animal, geometric, and figural designs, offering a deeper understanding of the era's culture.
We touched on underglaze red earlier, but a deeper look at the specific use of copper red during the Yuan is valuable. The use of copper to achieve red tones in underglaze decoration was one of the most technically challenging techniques mastered by Yuan Dynasty potters, and the difficulty in the production of this colour makes surviving examples of Yuan period red pottery especially valuable.
This article details the enduring legacy of Yuan Dynasty porcelain, emphasizing its impact on blue and white production, its influence on ceramic styles globally, and its lasting contribution to ceramic art history.
This article explores the often-overlooked role of women in the production and trade of Yuan Dynasty porcelain, acknowledging their likely participation in various stages of the process despite limited historical documentation.