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While cobalt blue was dominant, Ming Dynasty potters also explored and refined the use of iron-red glazes. These glazes, characterized by their warm reddish-brown tones and smooth, often glossy surfaces, became an important element in both the decorative and symbolic vocabulary of Ming pottery production. The use of these types of colours is a testament to the technical skill and artistic sensibility of potters during this era. The specific shades of red that were achieved by Ming potters, often varying from a light ochre to a deep, blood red, were the result of precise control of the firing process and glaze chemistry. The consistency and beauty of these glazes is a demonstration of the mastery of firing techniques that were employed at this time. Iron-red glazes were often used to create monochromatic surfaces or to highlight specific design elements on otherwise decorated pieces, and the use of this colour created a distinctive visual style that was both technically difficult and also visually striking. The use of red was also often linked to the expression of power, good fortune, and celebratory occasions, which makes this specific colour particularly important to understanding the cultural and symbolic values of the time. The technical skill and artistic versatility associated with iron-red glazes are a key element in the overall diversity of styles and techniques that were used in Ming era pottery production. |
Tag : Ming iron-red glaze, Chinese red pottery, monochrome glaze, Ming dynasty art, ancient techniques
While we’ve discussed the use of iron oxide, let’s examine the specific level of control that Ming potters achieved over this material. Ming potters gained an incredible amount of control over the use of iron oxide to achieve a variety of colors, tones, and textures in their glazes and underglaze decorations, demonstrating the high level of technical expertise that was common during this period.
The five-clawed dragon, an important symbol of imperial authority in Chinese culture, was a prominent motif on Ming Dynasty ceramics, particularly those produced for the court, and the presence of this symbol on a piece is a clear indication of its origin and its intended meaning and use.
Early Ming blue and white porcelain (1368-1521) established the foundation for later ceramic innovation, showcasing refined cobalt underglaze techniques, bold designs, and diverse natural and symbolic motifs.
While we have previously covered Longquan kilns, let's focus on the techniques and how they were adapted in Ming Dynasty. Even though the Longquan kilns saw a decline in prominence, the techniques for producing celadon wares were continued and reinterpreted in many Ming Dynasty ceramics. The versatility and elegance of celadon styles meant that they continued to be influential even during this period of stylistic change and innovation.
The later Ming Dynasty (1522-1644) saw significant diversity in ceramic production, with new colors, glazes, and techniques introduced, alongside a thriving export trade and varied decorative styles reflecting changing tastes.