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While previously mentioned, it is helpful to revisit the specific techniques that were used to produce a turquoise-blue style glaze in the Ming era. While not as common as other colors, some Ming potters achieved beautiful and unique shades of turquoise blue, showcasing their technical skill and experimental approach to glaze development. The creation of turquoise-blue glazes involved a careful balance of copper and cobalt oxides and precise control of firing temperatures and atmospheric conditions in the kilns, demonstrating the complexity of achieving consistent and beautiful results. The subtle variations in hue and intensity that were seen in turquoise-blue glazes created a unique interplay of light and color on the surface of these pieces. The use of this specific type of color demonstrates the continued exploration of different visual effects and the technical mastery of potters working during this period. The relatively rare pieces that were decorated using these types of glaze highlight the importance of experimentation and continued innovation in Ming pottery production. |
Tag : Ming turquoise blue, Chinese pottery, ancient techniques, glaze color, rare ceramics
While the Japanese aesthetic of wabi-sabi (embracing imperfection and impermanence) is not a direct influence on Ming Dynasty ceramics, some of the pieces, through their simplicity, subtle glazes, and natural variations, might resonate with this sensibility, highlighting the enduring power of these particular values in ceramic production. The value given to natural materials and subtle variations in tone is a recurring element of many Ming pottery pieces.
While often featuring recognizable images, some Ming Dynasty ceramics also explored the use of more abstract patterns and motifs, demonstrating the versatility of potters who were working in this time and their willingness to experiment with new design elements.
While we have discussed enamel techniques, it is worth revisiting fahua wares, and the unique nature of their production in the Ming Dynasty. Fahua wares, which are characterized by their use of raised outlines and vibrant, often turquoise, blue, green, and aubergine glazes, represent a unique type of Ming ceramics with a distinctive style and high level of technical complexity.
While we touched on textures earlier, let's focus on textured glazes beyond monochrome applications. Ming potters experimented with a wide range of textured glazes, often in combination with multiple colours, creating a visually rich and dynamic surface that moved beyond the traditional approach to pottery design.
The later Ming Dynasty (1522-1644) saw significant diversity in ceramic production, with new colors, glazes, and techniques introduced, alongside a thriving export trade and varied decorative styles reflecting changing tastes.