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While often not the focus of study, Ming Dynasty ceramic brushpots, used for holding calligraphy brushes, are significant artistic objects that combine both functionality and refined design, and demonstrate that even the simplest of everyday objects could often be produced using techniques of high skill and artistry. Ming brushpots were often made with a variety of forms, ranging from simple cylindrical shapes to more elaborate sculptural designs, which provides evidence of the different stylistic choices that were available at the time. The surfaces of brushpots were sometimes decorated with incised designs, painted patterns, or molded elements, reflecting the wide range of decorative techniques that were popular during the Ming Dynasty. The use of high-quality materials, delicate glazes, and precise decoration on Ming brushpots reflects the importance of calligraphy and intellectual pursuits during this period. The study of Ming brushpots provides insights into the daily lives and artistic sensibilities of Ming Dynasty scholars and artists, and offers another point of entry into the overall cultural landscape of the time. |
Tag : Ming brushpots, Chinese calligraphy, pottery forms, ancient tools, scholar objects
While we've discussed black glazes, let's examine the specific use of black as a background in Ming ceramics. This technique, where black was used as a backdrop to highlight other colors or decorative elements, was a popular approach to design during this period, and it shows the ways that colour could be used to highlight certain parts of a piece of pottery while also creating a dramatic and striking visual impact.
While the imperial kilns at Jingdezhen were dominant, regional kilns throughout China continued to produce ceramics during the Ming Dynasty, often incorporating local styles and traditions into their designs. These pieces highlight the influence of regional preferences on the development of pottery during this period.
The Chenghua reign (1465-1487) is renowned for its delicate and refined porcelain, including the iconic "chicken cups", characterized by pale blue colors, subtle designs, and exquisite doucai technique.
"Swatow" ware, a term referring to a type of late Ming ceramic produced for export, particularly to Southeast Asia, is characterized by its bold, often roughly painted designs, its thick glazes, and its robust forms, and these pieces often have a more rustic appearance than some of the more delicate and refined pieces that were made during this era.
While we have touched on the use of gouache, it is useful to revisit the specific ways in which the appearance of this type of painting influenced the application of overglaze enamels in Ming ceramics. The desire to create a dense, opaque look akin to gouache paint led to some new techniques and stylistic approaches that changed the look and texture of some Ming pieces.