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While often not the focus of study, Ming Dynasty ceramic brushpots, used for holding calligraphy brushes, are significant artistic objects that combine both functionality and refined design, and demonstrate that even the simplest of everyday objects could often be produced using techniques of high skill and artistry. Ming brushpots were often made with a variety of forms, ranging from simple cylindrical shapes to more elaborate sculptural designs, which provides evidence of the different stylistic choices that were available at the time. The surfaces of brushpots were sometimes decorated with incised designs, painted patterns, or molded elements, reflecting the wide range of decorative techniques that were popular during the Ming Dynasty. The use of high-quality materials, delicate glazes, and precise decoration on Ming brushpots reflects the importance of calligraphy and intellectual pursuits during this period. The study of Ming brushpots provides insights into the daily lives and artistic sensibilities of Ming Dynasty scholars and artists, and offers another point of entry into the overall cultural landscape of the time. |
Tag : Ming brushpots, Chinese calligraphy, pottery forms, ancient tools, scholar objects
While iron oxide was key to other colours, the use of "iron rust" glaze, which is characterized by its dark brown or reddish-brown tone with subtle flecks and variations in texture, added a different type of visual texture to Ming Dynasty ceramics. Pieces with this type of glaze demonstrate the skill of Tang potters and their exploration of different colours and effects.
The five-clawed dragon, an important symbol of imperial authority in Chinese culture, was a prominent motif on Ming Dynasty ceramics, particularly those produced for the court, and the presence of this symbol on a piece is a clear indication of its origin and its intended meaning and use.
While design is important, it's important to recognize the continued emphasis on form during the Ming Dynasty. Potters continued to explore and refine various ceramic forms, creating a range of vessels that were both functional and aesthetically pleasing. The continued focus on form and shape demonstrates the skill and sophistication of potters during this time.
While blue and white was dominant, it's worth examining the specific technical refinements in the use of underglaze blue during the Ming Dynasty. Ming potters built upon earlier techniques to achieve a higher level of precision, consistency, and a broader range of blue tones, and these technical innovations made for higher quality and more visually beautiful pieces.
The later Ming Dynasty (1522-1644) saw significant diversity in ceramic production, with new colors, glazes, and techniques introduced, alongside a thriving export trade and varied decorative styles reflecting changing tastes.