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Beyond plays, it's worth exploring the influence of Ming Dynasty novels on the ceramics. The rise of popular novels during the Ming Dynasty had a subtle but noticeable influence on the types of scenes, characters, and stories that were sometimes depicted on ceramic pieces. The novels of the era were a major element of Chinese culture and their influence is apparent in many of the artistic forms that were popular at this time. Scenes and characters from famous Ming novels, such as the Romance of the Three Kingdoms or Journey to the West, occasionally appeared in the decorative schemes of Ming ceramics. These pieces acted as a visual record of the enduring popularity of these classic works of Chinese literature. These depictions of figures and scenes from popular novels brought familiar stories and characters to a new context, which shows the interconnectedness of different forms of art and literature at this time. The influence of Ming novels on ceramics demonstrates the ways in which popular literature could shape visual art and cultural expression. The novels of the time offered potters new ways to explore artistic expression, and a wider range of stylistic choices. |
Tag : Ming novels, Chinese pottery, literary influence, ancient stories, narrative art
While Famille Rose is most closely associated with the Qing Dynasty, some early elements of this style can be found in late Ming Dynasty ceramics. The experimentation with new color palettes, and the introduction of pink and rose tones, laid the groundwork for the later development of the full Famille Rose enamel style. The inclusion of these new colours expanded the expressive potential of Ming pottery pieces.
While Buddhism was a major influence, Daoist symbolism also appeared on some Ming Dynasty ceramics, reflecting the influence of this ancient Chinese philosophy on daily life. The Daoist symbols that appear on these pieces are an important aspect of the overall visual language that was being used during this time.
While the Ming Dynasty is famous for its polychrome wares, potters also continued to explore and refine the production of monochrome glazed ceramics, and these pieces highlight a different approach to design, often focusing on form and subtle tonal variations.
While iron oxide was key to other colours, the use of "iron rust" glaze, which is characterized by its dark brown or reddish-brown tone with subtle flecks and variations in texture, added a different type of visual texture to Ming Dynasty ceramics. Pieces with this type of glaze demonstrate the skill of Tang potters and their exploration of different colours and effects.
While cobalt blue was dominant, Ming Dynasty potters also explored and refined the use of iron-red glazes. These glazes, characterized by their warm reddish-brown tones and smooth, often glossy surfaces, became an important element in both the decorative and symbolic vocabulary of Ming pottery production. The use of these types of colours is a testament to the technical skill and artistic sensibility of potters during this era.