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While we have touched on the use of gouache, it is useful to revisit the specific ways in which the appearance of this type of painting influenced the application of overglaze enamels in Ming ceramics. The desire to create a dense, opaque look akin to gouache paint led to some new techniques and stylistic approaches that changed the look and texture of some Ming pieces. Ming potters applied enamels more thickly than in previous eras, often creating raised surfaces that emulated the texture of heavily applied gouache paint. The textural qualities of these pieces added to their visual depth and their unique artistic sensibilities. The use of these thick enamels also allowed for the creation of bold, vibrant colors that stood out prominently, often against the pure white background of the porcelain body. The dramatic interplay of colors made these pieces highly prized and admired. This type of enamelling often allowed for more defined outlines and more structured and bold patterns than were possible in other types of overglaze decoration. The attempt to emulate the visual characteristics of gouache painting demonstrates the ongoing interaction and influence between different artistic disciplines in Ming China. |
Tag : Ming gouache enamels, Chinese pottery, thick paint, ancient techniques, textured surfaces
While often not the focus of study, Ming Dynasty ceramic brushpots, used for holding calligraphy brushes, are significant artistic objects that combine both functionality and refined design, and demonstrate that even the simplest of everyday objects could often be produced using techniques of high skill and artistry.
While often used in combination with other colors, some Ming Dynasty potters also explored the creation of pure yellow monochrome glazes, achieving a range of tones from pale lemon to deep golden yellow. The use of pure yellow in these pieces demonstrates another way that potters explored the possibilities of different types of colour.
While Famille Rose is most strongly linked to the Qing Dynasty, some late Ming ceramics began to show elements that foreshadowed this style, with potters experimenting with pink and rose enamels. These pieces are important for understanding the development of enamel techniques during this period and the transition from one dynasty’s styles to the next.
While we have addressed storytelling, it is useful to revisit this topic, and its influence on the specific design choices made during the Ming period. Ming Dynasty ceramics often featured designs and decorative motifs drawn from popular stories, operas, and legends, and this blending of narrative with art creates a unique dimension in the pieces that were created during this time period.
While we’ve addressed innovation before, it is useful to conclude by focusing on the enduring legacy of specific technical innovations of Ming potters. The techniques they developed, refined and combined continue to influence potters around the world today, and highlight the continued relevance of Ming era styles and production methods.