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We've touched on Wanli before, but it's useful to revisit the significance of his period specifically in relation to trade. The Wanli reign (1572-1620) saw the continued expansion of the Chinese porcelain trade, and many pieces produced during this time were specifically designed to meet the demands of export markets around the world. This period of high volume pottery production was key to the economic prosperity of the region and demonstrates the importance of pottery in international commerce. The increasing global demand for Chinese porcelain during the Wanli period led to the large-scale production of ceramics at Jingdezhen and other kilns, and the scale of production during this period was unprecedented and it demonstrates the importance of global trade in shaping the development of Chinese pottery. Wanli-era export ceramics often feature a unique blend of Chinese and foreign decorative styles and are especially useful for understanding the blending of cultures at this time. The success of the Wanli porcelain trade underscores the interconnectedness of global economies and artistic traditions during the late Ming period. The study of Wanli export wares provides valuable insights into the cross-cultural exchanges that took place along trade routes at this time, and also demonstrates the lasting impact of Chinese pottery production on artistic styles in other parts of the world. |
Tag : Ming Wanli trade, Chinese export, global commerce, pottery markets, ancient trade
While black glazes were used in earlier dynasties, Ming potters achieved a new level of technical mastery in producing deep, lustrous black glazes, often using these glazes to highlight specific forms and decorative elements. This shows that potters during the Ming era were still refining and innovating on previously existing techniques.
While the production of Jian ware declined in earlier periods, its aesthetic influence and functional qualities continued to be appreciated and, sometimes, adapted in Ming Dynasty ceramics, particularly in tea bowls. These types of pieces continued to be prized by tea enthusiasts, which demonstrates the enduring importance and impact of these forms, even centuries after their first production.
While Buddhism was a major influence, Daoist symbolism also appeared on some Ming Dynasty ceramics, reflecting the influence of this ancient Chinese philosophy on daily life. The Daoist symbols that appear on these pieces are an important aspect of the overall visual language that was being used during this time.
The period between the Xuande and Chenghua reigns (1436-1464), often called the "interregnum," is increasingly viewed with nuance, as recent research reveals continued high-quality production despite political and economic disruptions.
The reign of the Zhengde Emperor (r. 1505-1521) saw a notable change in the style and decorative elements of Ming ceramics. The emperor's personal tastes and preferences led to the development of pieces that were both unique and influential. This period of experimentation reflects a degree of personal influence from the emperor that is not often found in Chinese pottery.