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While explicit landscape scenes are less common than other types of decoration, the subtle influence of landscape painting can be seen in the design of some Ming ceramics. The forms, colours and textures of pieces from this era often evoke a sense of nature and natural forms. The indirect presence of nature is a key aspect of the overall aesthetic sensibility of the period. The use of monochromatic glazes, particularly celadons and blues, often creates an atmospheric feel that is suggestive of natural landscapes and skies. These subtle elements evoke a connection to the natural world. The subtle variations in tone and texture, often used to emphasize natural forms and patterns, are a recurring element in many types of Tang pottery. The emphasis on balanced compositions and the use of negative space also reflect design principles that are similar to those seen in Chinese landscape painting, and the pieces that were produced during this time often demonstrate an awareness of the visual arts and other creative traditions that were popular during this period. The subtle influence of landscape painting on Ming ceramics underscores the connection between art and nature during this important era in Chinese history. |
Tag : Ming landscape art, Chinese pottery, nature influence, ancient designs, subtle forms
While blue and white was dominant, it's worth examining the specific technical refinements in the use of underglaze blue during the Ming Dynasty. Ming potters built upon earlier techniques to achieve a higher level of precision, consistency, and a broader range of blue tones, and these technical innovations made for higher quality and more visually beautiful pieces.
While iron-red and black are more common, Ming Dynasty potters also explored the use of iron to create a variety of brown glazes, ranging from light tan to deep, almost chocolate brown tones. These variations in tone were the result of different firing conditions and glaze application techniques. The pieces made with these techniques often demonstrate the versatility of the materials that were used during the Ming period.
The Ming Dynasty is renowned for its exquisite blue and white porcelain, which reached new heights of technical and artistic achievement during this period. Building upon the foundations laid in the Yuan Dynasty, Ming potters refined the use of cobalt under a clear glaze, creating pieces that were characterized by their vibrant colors, intricate designs, and technical perfection. Blue and white wares dominated porcelain production during the Ming, becoming a defining symbol of Chinese ceramic artistry.
While previously mentioned, it is helpful to revisit the specific techniques that were used to produce a turquoise-blue style glaze in the Ming era. While not as common as other colors, some Ming potters achieved beautiful and unique shades of turquoise blue, showcasing their technical skill and experimental approach to glaze development.
While we've touched on the literati, it's worth focusing on the specific influence of figures like Dong Qichang (1555-1636) and other prominent Ming literati on the art of ceramics. These scholars and artists, with their emphasis on refined taste, classical learning, and a connection to the natural world, helped shape the aesthetic sensibilities of late Ming pottery. The influence of these figures helped to shape a new appreciation for subtle beauty and refinement that would become increasingly influential over the course of the Ming period.