|
While red glazes had been used previously, Ming potters achieved a new level of intensity and brightness in the development of "coral red" glazes. The distinctive red tones and glossy surfaces are a key element of the overall beauty of the pieces that were decorated with this specific colour. The bright, vibrant tones of "coral red" glazes were often achieved using iron oxide, carefully applied and fired, and the application of these types of colours demonstrated a mastery of technical processes. The use of "coral red" glaze was particularly effective when used as a background for other decorative elements or as a monochrome glaze on certain types of vases and other pieces. This type of red was highly prized for its visual impact and its association with good fortune, and these colours were often reserved for pieces that were intended to be especially valued and admired. The refinement of "coral red" glazes represents a significant achievement in Ming ceramic technology. |
Tag : Ming coral red, Chinese glaze, red pottery, ancient techniques, vibrant colors
While Longquan celadon production reached its peak in earlier dynasties, the influence of Longquan kilns was still felt during the Ming Dynasty. While not the central focus of production, the styles and techniques of the Longquan kilns continued to be used and adapted by Ming potters.
While we touched on textures earlier, let's focus on textured glazes beyond monochrome applications. Ming potters experimented with a wide range of textured glazes, often in combination with multiple colours, creating a visually rich and dynamic surface that moved beyond the traditional approach to pottery design.
While we've covered innovation throughout, let's bring it all together by focusing on the enduring legacy of innovation in Ming ceramics. The Ming Dynasty is crucial for understanding the development of Chinese pottery due to the many technical and aesthetic innovations that were developed during this time and their lasting impact on later generations.
The later Ming Dynasty (1522-1644) saw significant diversity in ceramic production, with new colors, glazes, and techniques introduced, alongside a thriving export trade and varied decorative styles reflecting changing tastes.
The Xuande reign (1425-1435) within the Ming Dynasty is often hailed as a golden age for Chinese porcelain, and for good reason. The imperial kilns at Jingdezhen, under the direct patronage of the Xuande Emperor, produced ceramics that are renowned for their technical brilliance and exquisite beauty. This period saw a refinement of existing techniques and the development of new styles that would set a standard for subsequent generations. The influence of the Xuande emperor can still be felt in contemporary pottery production.