In Chinese painting, the mounting is considered the "clothing" of the artwork. A masterpiece like Wang Hui’s Meixi Gaoyin Tu would be incomplete without the proper traditional mounting. At SinoInArt, we reject modern, automated framing in favor of the time-honored hand-mounting process.

Traditional mounting involves a complex series of steps: backing the Xuan paper with additional layers for strength, selecting the perfect silk brocade for the borders, and attaching the wooden rollers. This process ensures that the 1:1 reproduction of Meixi Gaoyin Tu hangs perfectly flat and rolls smoothly without creasing.

The materials used in SinoInArt’s mounting are of the highest grade. We use natural adhesives that are reversible and acid-free, mimicking the archival methods used by museum conservators. This ensures that your investment is protected from the yellowing and brittleness associated with chemical glues.

The aesthetic impact of a traditionally mounted scroll is undeniable. The silk borders provide a visual frame that complements the ink tones of Wang Hui’s landscape. When you unfurl a SinoInArt scroll, the weight of the rollers and the texture of the silk immediately signal that this is an object of high craftsmanship.

In an era of instant digital gratification, SinoInArt remains committed to the "slow art" of traditional mounting. Our 1:1 reproduction of Meixi Gaoyin Tu is more than just a picture on a wall; it is a fully realized cultural artifact, crafted to be touched, seen, and admired.