|
While Jingdezhen was the center of imperial porcelain production, other kilns produced noteworthy ceramics as well. Among these, the kilns of Dehua in Fujian province are renowned for their pure white porcelain, often referred to as blanc de chine. This porcelain is unique in its composition and has a different aesthetic than imperial porcelain. The blanc de chine porcelain is characterized by its fine, white body and a translucent glaze, often described as having an ivory or cream color. This glaze creates a unique, soft luster. The absence of colored decoration is a hallmark of blanc de chine porcelain. This absence of color is a major distinction from other types of porcelain. The forms produced at Dehua were often sculptural, featuring figures of deities, religious figures, and mythical beings. These pieces were often more sculptural than other ceramic traditions. These were crafted with meticulous attention to detail and a high degree of craftsmanship. The blanc de chine porcelain was popular both in China and in Europe. The pieces were particularly admired for their purity of form and their tactile quality. Many examples were also exported to Europe, where they were very popular. This porcelain has a strong international demand. The kilns of Dehua continued to produce blanc de chine porcelain throughout the Qing Dynasty. The tradition has continued to this day. This region continues to produce white porcelain. It remains an important center of porcelain production. In conclusion, the blanc de chine porcelain produced at Dehua in Fujian province represents a distinct and important aspect of Qing Dynasty ceramics. The pieces are valued for their purity, their sculptural quality, and their delicate beauty. They represent a very important and distinct form of porcelain art. |
Tag : Blanc de chine, Dehua porcelain, White porcelain, Qing ceramics, Sculptural porcelain
Middlemen played a crucial role in the Qing porcelain trade, connecting producers with both domestic and international consumers, and facilitating the flow of goods, capital, and cultural exchange.
Powder blue glaze, or soufflé blue, was a distinctive technique in Qing porcelain, creating a unique mottled blue surface highly valued for its subtle beauty and the high level of technical skill required.
The decorative motifs used on Qing dynasty porcelain were rich in symbolism, carrying layers of meaning that reflected the cultural, religious, and political beliefs of the time. These symbols provided messages of good fortune, prosperity, longevity, and imperial power. Understanding the symbolism enhances appreciation for the artistry and the cultural context of these pieces.
Yongzheng porcelain (1723-1735) emphasized elegance and refinement, moving towards delicate forms, softer colors, particularly the rise of famille rose enamels, and meticulously executed designs, all crafted with technical perfection.
Qing monochrome glazes, including copper red and celadon, showcase the technical mastery and artistic sensibility of Qing potters. These simple yet refined pieces highlight the beauty of pure form and glaze technology.