|
While Jingdezhen was the center of imperial porcelain production, other kilns produced noteworthy ceramics as well. Among these, the kilns of Dehua in Fujian province are renowned for their pure white porcelain, often referred to as blanc de chine. This porcelain is unique in its composition and has a different aesthetic than imperial porcelain. The blanc de chine porcelain is characterized by its fine, white body and a translucent glaze, often described as having an ivory or cream color. This glaze creates a unique, soft luster. The absence of colored decoration is a hallmark of blanc de chine porcelain. This absence of color is a major distinction from other types of porcelain. The forms produced at Dehua were often sculptural, featuring figures of deities, religious figures, and mythical beings. These pieces were often more sculptural than other ceramic traditions. These were crafted with meticulous attention to detail and a high degree of craftsmanship. The blanc de chine porcelain was popular both in China and in Europe. The pieces were particularly admired for their purity of form and their tactile quality. Many examples were also exported to Europe, where they were very popular. This porcelain has a strong international demand. The kilns of Dehua continued to produce blanc de chine porcelain throughout the Qing Dynasty. The tradition has continued to this day. This region continues to produce white porcelain. It remains an important center of porcelain production. In conclusion, the blanc de chine porcelain produced at Dehua in Fujian province represents a distinct and important aspect of Qing Dynasty ceramics. The pieces are valued for their purity, their sculptural quality, and their delicate beauty. They represent a very important and distinct form of porcelain art. |
Tag : Blanc de chine, Dehua porcelain, White porcelain, Qing ceramics, Sculptural porcelain
White glaze, fundamental in Qing Dynasty porcelain, showcased technical skill and aesthetic sensibilities, allowing forms and decorations to achieve their full potential, especially in pieces where it served as the sole decorative element or background.
The collecting and studying of Qing porcelain continues to evolve, with new technologies, resources, and perspectives contributing to a deeper and more comprehensive appreciation of these remarkable objects.
Middlemen played a crucial role in the Qing porcelain trade, connecting producers with both domestic and international consumers, and facilitating the flow of goods, capital, and cultural exchange.
The famille rose enamel palette was particularly popular in Qing export porcelain, as its delicate colors and intricate designs appealed to Western tastes, contributing to China’s dominance in the global ceramics market and creating a unique fusion of styles.
While the vibrant famille verte and famille rose porcelains are widely known, Qing dynasty kilns also produced stunning monochromatic glazes with a refined simplicity. Monochromatic porcelain, characterized by a single color glaze, showcases the artistry of the potter in the perfection of the glaze and the elegant forms. The technical challenges of creating these consistent, rich colors have made these pieces highly prized.