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The use of space, or bai (白) in Chinese, is a critical element in the composition of pre-Tang Kaishu calligraphy. Calligraphers of this era carefully considered the space between strokes, within characters, and surrounding each written word, using it to create a sense of balance, harmony, and overall visual appeal. The management of space was as important as the strokes themselves. The careful distribution of space between strokes allowed each line to breathe and maintain its visual integrity. The space ensured the characters do not appear overly crowded or congested. The proper management of space helped the characters appear balanced and clear. This careful spacing was a key technique during this period. The internal spaces within characters were also an important consideration. Calligraphers arranged the strokes in such a way that each created its own negative space that contributed to the overall composition. The design of internal spaces contributed greatly to the overall character design. The blank space surrounding the written characters was just as important as the marks themselves. This negative space often served to highlight the strokes and provide a visual contrast that made each character stand out. The space around the characters helped them stand out and appear clear. The management of space, both within and around characters, demonstrates the calligraphers’ understanding of design principles and the way in which empty space is integral to the overall aesthetic. The use of space reveals an artistic sensitivity to balance and harmony. The proper management of space reveals the artistic nature of the work. |
Tag : pre-Tang calligraphy space, Chinese calligraphy composition, negative space in Kaishu, calligraphy balance, stroke spacing
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