|
The choice of paper plays a critical role in the outcome of Running Script (行书) calligraphy. Different papers, with their unique textures, absorbency levels, and colors, offer different possibilities for ink expression, which can enhance or detract from the artist’s vision. The paper is a vital element of the calligraphic process itself. Rice paper, or Xuanzhi (宣纸), is the traditional choice for Chinese calligraphy. It is known for its ability to absorb ink, which allows for expressive brushwork and subtle variations in line quality. The texture of the rice paper itself is often a key element in the final presentation of the work. Other types of paper, such as mulberry paper or bamboo paper, offer different textures and absorbency levels, resulting in a variety of visual effects. These different types of paper can be used for unique artistic effects and to express different themes. The calligrapher is not limited to only one material. The color of the paper also plays a role in the overall composition. While traditional works are typically on white paper, different colored papers can create a more dramatic effect. The color of the paper can often highlight or contrast different elements of the written work. The color of the paper becomes another part of the composition. The choice of paper is a very personal one, often depending on the calligrapher's style and the specific work they are creating. The materials should be seen as an extension of the artist and their own unique style. Understanding how different materials react is an important part of developing mastery over the art form. |
Tag : Calligraphy Paper, Running Script Materials, Xuanzhi Paper, Chinese Paper, Calligraphy Supplies
This article explores Running Script's historical role in personal correspondence, highlighting how its fluidity and expressiveness made it an ideal choice for capturing personal thoughts and emotions, and its value in the modern age.
This article explores the emotional aspect of Running Script calligraphy, highlighting its unique ability to convey a range of feelings through variations in brushstrokes and personal interpretation.
This article explores the “flying white” (Feibai) technique in Running Script, detailing how the use of a dry brush to create textured, broken strokes adds visual contrast, movement, and a dynamic quality to the artwork.
This article explores the concept of pínghéng (平衡), or “balance,” in Running Script, highlighting the importance of a harmonious interplay between strokes, spacing, ink density, and character arrangement to create a visually compelling composition.
This article emphasizes the role of personal interpretation in Running Script, explaining how it allows calligraphers to express their unique vision, style, and emotions within the framework of traditional techniques.