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The transition from Li Shu (Clerical Script) to early Kaishu (Regular Script) was a gradual and complex process, involving significant changes in stroke structure, character composition, and overall aesthetic preferences. Comparing the two script styles reveals how Kaishu built upon the foundations laid by Li Shu while also introducing its own unique characteristics. The differences between these two styles reveal the incremental process of change. Li Shu is characterized by its flat, horizontal strokes, undulating lines, and a general sense of dynamism and flexibility. In contrast, early Kaishu moved towards more straight, vertical lines, emphasizing clarity, balance, and a sense of stability. This comparison between Li Shu and Kaishu reveals the shift toward more structured forms. The differences between the two styles show a clear shift towards more balance. One of the key differences between the two scripts is the treatment of individual strokes. Li Shu strokes often have a distinct “silkworm head and swallow tail” shape, while Kaishu strokes are more uniform, with clear starting and ending points. This difference in stroke style contributed to the overall change in the appearance of the script. The stroke patterns are clearly different between the two styles. The structure of characters also changed significantly in the transition from Li Shu to Kaishu. Li Shu tended to be wider and more horizontally oriented, whereas early Kaishu characters became more compact and balanced within their respective frames. The character shapes show a shift towards a more compact and balanced form. By analyzing the similarities and differences between Li Shu and early Kaishu, we gain a deeper understanding of the processes of calligraphic change and the historical context in which Kaishu emerged. This comparison reveals the incremental steps that took place over time in the script’s evolution. Understanding both scripts reveals the gradual evolution of writing styles. |
Tag : Li Shu vs Kaishu, early Regular Script, calligraphy transition, Chinese scripts, comparative calligraphy
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