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Running Script (行书) is not just about writing fast; it’s about controlled speed and a sophisticated understanding of brushstrokes. The basic strokes used in Running Script derive from Regular Script (楷书), but they're executed with more fluidity and connection. Instead of lifting the brush between strokes, the calligrapher often connects them with subtle movements, creating a continuous flow. This connecting stroke, called “Si” (丝), is a hallmark of Running Script. The use of varying pressure is crucial in Running Script. The calligrapher modulates the pressure on the brush to create thick and thin lines, adding dynamism to the characters. Heavy strokes indicate emphasis and power, while lighter strokes add grace and elegance. This variation creates a visual rhythm, guiding the viewer's eye through the composition. It’s not just about drawing lines; it’s about creating a visual melody. The angle at which the brush is held also plays a critical role. The angle determines the shape and character of the strokes. A slightly slanted angle often leads to more expressive and lively strokes, further enhancing the unique charm of Running Script. Subtle changes in the angle can dramatically alter the look and feel of the character. The 'air' between the strokes is just as important as the strokes themselves. The negative space around the characters contributes to the overall balance and harmony of the piece. A skilled calligrapher uses this space to create depth and visual interest, allowing the characters to breathe and come alive. Understanding and controlling this space is just as important as the ink. Mastering Running Script requires not just technical skill, but also a deep understanding of these fundamental principles of strokes, pressure, angle and space. It’s a continuous journey of practice, experimentation, and observation. The goal is not simply to reproduce characters, but to express oneself through the fluid and dynamic movement of the brush. The combination of technique and artistic expression creates the captivating nature of the art. |
Tag : Running Script Technique, Brushstrokes, Chinese Calligraphy Strokes, Ink Pressure, Calligraphy Space
This article explores the influence of Taoism on Running Script, highlighting how the principles of natural flow, unity, balance, and effortless action are reflected in the script’s aesthetic values and artistic practices.
This article explores the use of Running Script in calligraphy demonstrations, highlighting how they provide opportunities for learning, connecting with experienced artists, and promoting an appreciation for traditional Chinese art and culture.
This article explores the use of Running Script in modern calligraphy installations, highlighting how they blend traditional calligraphy with different materials, techniques, and interactive elements to create engaging art experiences.
Rhythm is a crucial element of xingshu, giving life and energy to each piece of calligraphy. This essay will explore the various ways calligraphers manipulate pace and movement within xingshu to express diverse moods, feelings, and visual narratives. The essay will begin by exploring the concept of "节律" (jielu) or rhythmic structure, and how different calligraphers create a unique cadence through variations in brush speed and pressure, through emphasis on particular strokes, and changes in direction. The essay will focus on how the combination of fast and slow, soft and hard, creates a sense of dynamic variation within the work. This emphasizes that rhythm is not just a metronome but a living element in the art.
Running script, xingshu, is not a static art form; it continues to evolve and inspire contemporary artists who are reinterpreting the tradition with new approaches and techniques. This essay will explore how contemporary calligraphers are pushing the boundaries of xingshu, while honoring its historical roots. We will begin by acknowledging the traditional roots of the script, and emphasize how contemporary calligraphers are deeply engaged with the rich history of xingshu. We will focus on the fact that the contemporary practice is not a rejection of history, but an active dialogue with the past.