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Compared to the more structured and rigid Regular Script (Kaishu), Running Script (Xingshu) is often seen as a less formal and more liberated style. Its fluid strokes and flowing connections embody a sense of freedom and spontaneity. The informal nature of Xingshu makes it appealing to many different types of artists. The allowance for more personal expression in Xingshu makes it a liberating art form. Unlike the strict rules of Kaishu, Xingshu allows for greater variation in the strokes and character composition. The artist is able to express themselves in a more natural way. The emphasis on connectedness in Xingshu creates a sense of flow and continuity. The interconnected strokes give the writing a sense of freedom and movement, almost as if it is writing itself. The lack of rigid restrictions allows the artist to express themselves more freely. The very nature of Xingshu, written at a faster pace with less interruption, gives it a sense of immediacy and vitality. The script is alive with the spontaneity of the writer. Xingshu often has a feeling of being created in the moment. The spirit of freedom in Xingshu reflects a broader cultural value placed on individual expression and creativity. It encourages calligraphers to push the boundaries of the art form. The traditions of the past are used as a jumping off point for future creativity and expression. |
Tag : running script freedom, xingshu spontaneity, informal calligraphy, calligraphy style, free style writing
Running script, or xingshu, occupies a unique space in the world of Chinese calligraphy, bridging the gap between the formal precision of regular script and the unrestrained freedom of cursive script. This essay will delve into the foundational aspects of xingshu, emphasizing its defining characteristic: fluidity. Unlike kaishu which emphasizes clear structure and deliberate strokes, xingshu is characterized by its dynamic energy, where strokes often flow smoothly and continuously from one to another. The essay will explore the subtle changes in brush speed and pressure that create a sense of movement and rhythm, essential elements that allow xingshu to convey a feeling of effortless grace. This introduction sets the stage for a deep analysis of the script’s techniques and aesthetics.
Running script, xingshu, is not a static art form; it continues to evolve and inspire contemporary artists who are reinterpreting the tradition with new approaches and techniques. This essay will explore how contemporary calligraphers are pushing the boundaries of xingshu, while honoring its historical roots. We will begin by acknowledging the traditional roots of the script, and emphasize how contemporary calligraphers are deeply engaged with the rich history of xingshu. We will focus on the fact that the contemporary practice is not a rejection of history, but an active dialogue with the past.
This article explores the influence of Running Script on architectural design, highlighting how its flowing lines and dynamic forms inspire innovative structures and add a layer of cultural meaning to the built environment.
This article explores the link between Running Script and Chan (Zen) Koans, highlighting how the script’s blend of freedom and structure echoes the paradoxical nature of koans and how both practices encourage mindfulness and intuitive understanding.
This article emphasizes the importance of “line quality” in Running Script, detailing how subtle variations in stroke weight, texture, ink, and flow combine to express intention, emotion, and a calligrapher's mastery.