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While Blanc de Chine is most closely associated with later periods, the foundations for this type of white porcelain were laid during the late Ming Dynasty. Potters in Dehua, Fujian province, began to develop the unique clay bodies and techniques that would eventually give rise to the famous Blanc de Chine wares, and these early examples of white pottery production are an important part of the overall development of this particular style. These early forms of Dehua white porcelain were characterized by their pure white body, translucent glaze, and simple, elegant forms. The exploration of the properties of kaolin clays in the Dehua region was a key element in the development of this type of pottery, and the technical innovation of the time period is a key part of the overall development of these styles. The smooth texture and milky-white color of these pieces were highly prized, setting them apart from other types of Ming ceramics. These early examples of Blanc de Chine production laid the groundwork for the widespread popularity of this unique form of pottery in subsequent periods. |
Tag : Ming Blanc de Chine, Chinese white porcelain, Dehua kilns, ancient techniques, translucent pottery
Color itself held symbolic meaning in Ming Dynasty ceramics, and specific colors were often chosen to convey messages of good fortune, power, prosperity, or spiritual significance. This demonstrates the ongoing importance of colour theory and symbolic understanding in Chinese art during this period.
While often used in combination with other colors, some Ming Dynasty potters also explored the creation of pure yellow monochrome glazes, achieving a range of tones from pale lemon to deep golden yellow. The use of pure yellow in these pieces demonstrates another way that potters explored the possibilities of different types of colour.
While we touched on textures earlier, let's focus on textured glazes beyond monochrome applications. Ming potters experimented with a wide range of textured glazes, often in combination with multiple colours, creating a visually rich and dynamic surface that moved beyond the traditional approach to pottery design.
The five-clawed dragon, an important symbol of imperial authority in Chinese culture, was a prominent motif on Ming Dynasty ceramics, particularly those produced for the court, and the presence of this symbol on a piece is a clear indication of its origin and its intended meaning and use.
Jingdezhen was the pivotal center of Ming Dynasty ceramic production, hosting imperial kilns that attracted skilled artisans and oversaw meticulous production, significantly influencing ceramic art, technology, and innovation.