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Running Script, or Xingshu, is a captivating style of Chinese calligraphy that sits comfortably between the formality of Regular Script (Kaishu) and the freedom of Cursive Script (Caoshu). Characterized by its flowing lines, interconnected strokes, and natural ease, Xingshu embodies a harmonious balance of legibility and expressiveness. It's often regarded as a highly versatile and aesthetically pleasing script, making it popular among calligraphers and art enthusiasts. Unlike Kaishu with its distinct and separate strokes, Xingshu allows for greater fluidity and connection between characters. The brush moves more freely across the paper, resulting in strokes that are often linked or partially connected. This fluidity adds a dynamic quality to the writing, giving it a sense of movement and vitality. Xingshu is designed to be both quickly written, while still remaining fairly legible. The origins of Xingshu can be traced back to the late Han Dynasty, where it emerged as a more efficient alternative to Lishu (Clerical Script). It gained popularity during the Jin Dynasty and continued to develop over the centuries, influencing many great calligraphers and artistic styles. Its ease of writing made it an ideal script for personal letters and writings. The practice of Xingshu requires a good understanding of basic calligraphic principles, a certain amount of technical skill, and a good measure of artistic flair. Calligraphers need to be able to control the flow of the brush, vary the speed and pressure of their strokes, and make good judgment calls in regards to the design and layout of the characters. A deep understanding of the balance of the text is critical for Xingshu. Xingshu is often viewed as a reflection of the calligrapher's personality and inner state, due to its expressiveness. It is often described as a script that allows both the artist and the text to “breathe”. Its flowing beauty and dynamic qualities make it a timeless and endlessly fascinating art form. |
Tag : Running script, xingshu, Chinese calligraphy, semi-cursive script, calligraphy styles
This article explores the importance of “gesture” in Running Script, highlighting how the calligrapher’s body movements convey intent, energy, and a personal connection with the art form, and how this extends to the expressive nature of the work itself.
This article presents iconic examples of Running Script calligraphy, including Wang Xizhi's "Preface to the Orchid Pavilion Gathering," Yan Zhenqing's "Draft of a Requiem to My Nephew," and Su Shi’s works, to showcase the depth and range of the script.
This article explores the connection between Running Script and Chinese martial arts, highlighting their shared emphasis on fluidity, balance, precision, mindfulness, and the importance of a connection between mind, body, and spirit.
This article explores the importance of varied ink density in Running Script, highlighting how the manipulation of ink concentration allows calligraphers to create a range of expressive effects, from light and delicate to dark and powerful strokes.
This article compares Running Script with Regular Script and Cursive Script, highlighting its unique position as a bridge between the two, as well as comparing it to Semi-Cursive, and emphasizing the diverse range within Chinese calligraphy.