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The porcelain kilns of Dehua in Fujian province are known for their unique “Blanc de Chine” or white porcelain, which gained popularity during the Qing dynasty. Unlike the painted porcelains of Jingdezhen, Dehua porcelain is renowned for its pure white glaze, delicate ivory hue, and sculptural forms. This porcelain has a distinctive creamy texture, and its soft, luminous qualities are highly prized by connoisseurs. The unique clay used at Dehua lends itself to sculptural work, resulting in a variety of forms, including figures of deities, censers, libation cups, and scholar’s objects. The subtle variations in thickness and curvature give a sense of fluidity and movement to these pieces. The absence of painted decoration allows for a focus on the three-dimensional aspects of the design. The sculpting expertise of the Dehua artisans was exceptional. During the Qing dynasty, Dehua porcelain found its way to the imperial court and the export market, gaining acclaim in Europe and elsewhere. Its pure, translucent quality and sculptural forms appealed to Western tastes, and it was often incorporated into elaborate decorative schemes. Many pieces were specifically produced for export, taking on designs that appealed to European sensibilities. The smooth, even glaze of Dehua porcelain is a testament to the skill of the artisans. The white glaze, which sometimes shows hints of ivory or pinkish hues, is both visually and tactilely appealing. The variations in glaze thickness also contribute to the play of light and shadow on the surface of the pieces. The technical precision involved in crafting such smooth and flawless glazes was remarkable. Dehua porcelain remains an important part of China’s ceramic heritage, representing a unique aesthetic that is distinct from the painted porcelains produced elsewhere. Its purity of color and form, combined with its historical significance, has ensured its lasting appeal for collectors and enthusiasts alike. The unique nature of its production makes it an important subset of Qing dynasty ceramics. |
Tag : Dehua porcelain, Blanc de Chine, White porcelain, Chinese ceramics, Fujian pottery
The imperial kilns at Jingdezhen were the focal point of porcelain production during the Qing dynasty, producing wares exclusively for the emperor and his court. These kilns were staffed with the most skilled artisans, and the quality standards were exceptionally high. The imperial kilns set the aesthetic trends for the entire porcelain industry and influenced porcelain production both inside and outside of China.
Coral red enamel, a vibrant and distinctive color achieved through firing iron oxide, was a significant addition to the palette of Qing Dynasty porcelain, adding warmth and richness to many ceramic pieces, especially those featuring auspicious symbols.
Technological advancements, particularly in kiln technology, clay preparation, and glaze formulation, played a vital role in the success of Qing Dynasty porcelain, enabling higher quality, greater diversity, and more sophisticated designs.
The use of powdered glass enamels, a distinctive technique in Qing porcelain, created a delicate and translucent appearance, showcasing the potters’ skill and innovation in achieving depth and luminosity in decoration.
The imperial workshops (zaobanchu) played a vital role in Qing porcelain production, serving as centers of design, innovation, and quality control, ensuring that pieces produced for the imperial court met the highest standards.