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The porcelain kilns of Dehua in Fujian province are known for their unique “Blanc de Chine” or white porcelain, which gained popularity during the Qing dynasty. Unlike the painted porcelains of Jingdezhen, Dehua porcelain is renowned for its pure white glaze, delicate ivory hue, and sculptural forms. This porcelain has a distinctive creamy texture, and its soft, luminous qualities are highly prized by connoisseurs. The unique clay used at Dehua lends itself to sculptural work, resulting in a variety of forms, including figures of deities, censers, libation cups, and scholar’s objects. The subtle variations in thickness and curvature give a sense of fluidity and movement to these pieces. The absence of painted decoration allows for a focus on the three-dimensional aspects of the design. The sculpting expertise of the Dehua artisans was exceptional. During the Qing dynasty, Dehua porcelain found its way to the imperial court and the export market, gaining acclaim in Europe and elsewhere. Its pure, translucent quality and sculptural forms appealed to Western tastes, and it was often incorporated into elaborate decorative schemes. Many pieces were specifically produced for export, taking on designs that appealed to European sensibilities. The smooth, even glaze of Dehua porcelain is a testament to the skill of the artisans. The white glaze, which sometimes shows hints of ivory or pinkish hues, is both visually and tactilely appealing. The variations in glaze thickness also contribute to the play of light and shadow on the surface of the pieces. The technical precision involved in crafting such smooth and flawless glazes was remarkable. Dehua porcelain remains an important part of China’s ceramic heritage, representing a unique aesthetic that is distinct from the painted porcelains produced elsewhere. Its purity of color and form, combined with its historical significance, has ensured its lasting appeal for collectors and enthusiasts alike. The unique nature of its production makes it an important subset of Qing dynasty ceramics. |
Tag : Dehua porcelain, Blanc de Chine, White porcelain, Chinese ceramics, Fujian pottery
Imperial porcelain production was a highly organized operation, emphasizing the finest craftsmanship, strictest standards of quality, and designs reflecting the tastes of the emperor and his court.
Qing potters were deeply influenced by Song Dynasty ceramics, seeking to emulate the forms, colors, and aesthetic sensibilities of that earlier period, demonstrating a continuity of ceramic traditions.
Qing blue and white porcelain flourished, reaching its peak during the Kangxi era with vibrant cobalt blue. The technique continued to be a mainstay of production and featured varied motifs and designs through the dynasty.
Beyond blanc de chine, Dehua kilns produced a variety of ceramics including blue and white porcelain, colored glazes, and figural sculptures, highlighting the versatility and skill of Dehua potters.
Qing Dynasty ceramics were influenced by Western art through the introduction of new enamels and decorative motifs, resulting in a fusion of Eastern and Western styles, most notably seen in the famille rose palette and export porcelain.